Sunday, 29 December 2013
For my unborn child - a list
2 - Following that, Gershwyn generally, Rhapsody in Blue in particular. See above.
3 - The novels of Aldous Huxley generally, Point Counter Point in particular. Your Dad has a pretentious literary streak.
4 - The Three Colours trilogy of movies, Blue, then White then Red, watching Red several times over a three year period. If running short on time, skip White. Your Dad has a pretentious filmic streak.
5 - The drunk scene from Dumbo. Your Dad likes beer and elephants, preferably in that order.
6 - Whithnail and I. See above, sans elephants.
7 - Holst generally, Mars in particular. Your Dad has a militaristic streak? Not really, see points 3 and 4 applied to music.
8 - The Manifold Series by Steven Baxter. Your Dad understands if you don't enjoy hard SF. Not many people do. Including Mummy...though I reckon I can bring her around...
9 - Beethoven's Seventh. See point 7.
10 - The usual: Catcher in the Rye, Catch 22, One Flew Over the Cuckoos Nest, For Whom the Bell Tolls, 1984. Steven King. Jane Austen. John Irving. John Updike. Lessons in these.
11 - The final scene of Animal Farm. Your Dad dislikes pigs.
12 - Atlas Shrugged, skipping the interminably boring bit when John Galt extols the virtues of "Objectivism". Your Dad is fascinated, repulsed and confused by Ayn Rand. As are many others. Don't worry if you feel the same.
13 - Plato generally, Socrates Apology and Phaedo in particular. Lessons on how to live and how to die.
14 - Pointilism generally, Seurat's Un dimanche après-midi à l'Île de la Grande Jatte in particular. See point....you get it. Read his bio.
15 - Renoir, particularly toward the end of his life. See above.
16 - Not bothering with Steven Hawking's Brief History of Time. Seriously. No one gets it, so don't worry when you don't either. Or maybe you will. Little genius...
Wednesday, 13 November 2013
Pooteeweet?
Freedom in chaos. Unstuck in meaning and free of frames of moral reference.
These old greeks and romans, terrified their short glimpse of the rational would be torn away by plague, warfare, a mad king. What comfort can be found other than in something great? A creator.
Seneca begins his treatise by arguing that there must, inevitably, unarguably, inescapably, simply must be a god. Socrates goes happily into death, in his knowledge of a comforting eternity and just rewards. Render unto ceasar and all will be well.
Bravery is seeing the bleak and not looking away.
Why is the term disillusionment layered with negative connotation? Freedom from illusion, otherwise expressed, is clarity. Liberty from delusion.
Eyes open you see the immensity of space, and our infinite irrelevance. Nameless, you are born into whatever name you choose. Freedom, unstuck in space and time.
pooteeweet?
Tuesday, 12 November 2013
A few options
Option: alternative modes of social being exist beyond our limited politics and economics. Technology is the birthmother of some, others organic. Some borrowed. Some created.
Monday, 4 November 2013
Oma
Right now, however, I suspect it may just be chaos, barely constrained by probability.
Tuesday, 29 October 2013
Why Russel Brand is not Jesus Christ
Needless to say, the interview had aroused a great deal of division. Of course, from the so called conservatives (more on that later), there are the hysterical accusations of an irresponsible advocacy of "slacker" culture, apparently especially reprehensible as it comes from a man of great personal wealth - enter accusations of hypocrisy and "he should know better".
But far more interesting is the division Brand's interview has stirred up on the progressive side of the great cultural divide.
On the one hand, strenuous calls for revolution will never fail to excite lefties - I suppose its part of the cringeworthy Marxist inheritance from which we will never quite escape. Brand's revolutionary enthusiasm must also appeal to that leftover Uni idealism that still festers somewhere beneath the professional facade, appealing like an ex girlfriend on Facebook to former passions.
On the other, there are many who reckon that his advocacy of dropping out, of refusing to take part in a compromised democracy, is a dangerous invitaton for further concetration power amongst those unscrupulous individuals who remain "in the system", providing said individuals with even less opposition as they bring their nefarious plans to fruition. Alternatively, Brand is being castigated for being unable to articulate a solution to the problems he so angrily defines.
Personally, Brand has reminded me of why, at heart, I consider myself a centrist conservative (told you). Dont get me wrong, I love a good wind farm and firmly believe that Keynesianism (both old and new) has at least some merit. I'm all for gay marriage and don't think that markets hold all the solutions. But what I am increasingly coming to believe in is that change, when it happens, wont be instigated by great and illustrious leaders. As interesting and amusing as Brand can be, he's a Baptist, not a Christ. In fact, the more I think about it, I dont think there ever will be a Christ, so to speak - no great leader un who we can pin all our hopes for much need social, political and ecomomic change.
The mark of the true conservative is a belief in the concept of change as an organic function, a process that has its roots in the simultaneous realisaton of multiple individuals at once. I'm fairly sure there are political economics/science nerds out there who can name the specific theory I am trying to articulate, but in a nutshell, its this: "You are the system, fucknuts".
Look, perhaps I'm wrong. Brand certainly has an uncanny resemblance to Aryan fantasy Buddy Christ. Still, I reckon people should stop focusing on the hypocrisies and failings of one long haired funnyman and start looking at their own compromises and allowances.
Or maybe we should just blame the banker wankers.
Wednesday, 8 February 2012
The involved
I watched Lions for Lambs the other day, a neat little political discussion directed by Robert Redford. Aside from the painful process of watching Tom Cruise delude himself that the repeated use of his oversize grin is somehow synonymous with talent, the film itself raised some good points.
Basically, the film follows three arcs: an interview between a young neo-con Republican (Cruise) and a liberal journalist (Meryl Streep) about a new military “strategy” in Afghanistan; a discussion between a political science professor (Robert Redford) and a disillusioned student about the merits and pitfalls of social and political engagement; and two young soldiers, injured and waiting capture by advancing Taliban forces, somewhere in the Afghan mountains.
For me, a central theme of the film was the role of the individual within the context of a corrupted body politic. A key question related to the motivations of individuals who withdraw from a social and political system which they view to be inherently corrupt and irredeemable. That is, whether laziness / selfishness / nihilism is disguised with the hyperbole of a generalised disgust at society, in order to warrant disengagement.
As a specific example, the film held that politicians are amongst some of the most hated individuals within our society, being viewed as opportunistic, amoral individuals who will do anything, say anything, if it furthers their quest for power. Assuming that these individuals are irredeemable, does this actually provide an excuse for the disengagement of those who aren’t so irredeemably corrupted? Taken further, the argument goes that those who sit back and simply say “they are all bunch of deadshits and I don’t want anything to do with them” may actually be as contemptible as the deadshits themselves.
This is all based on the assumption is that the body politic (whether you take this to be “the nation”, “western civilisation”, “capitalism”) is actually worth saving. The alternative is to suggest that the whole system is so inherently corrupt that any involvement in it is merely propping up a structure which should be allowed to collapse. Our mates with the red and black flags tend to espouse this view.
Also, there are many forms of involvement. I’d argue that the Occupy protesters are just as involved as anyone else. Protest is a vital part of social change, and some of these people are just as committed and tenacious as any political campaigner. I think the qualifier is that it’s important that the social change being advocated isn’t simply change into yet another, equally corrupt hierarchy.
Anyway, I have an obvious bias here – being fairly involved in the “system” (in one way or another), I’m likely to view it as something worth saving. It also means that I’m likely to see my own role within the system as being one that is worthwhile – the deadshit is always the guy in the next cubicle, right? Perhaps it’s also a delusion to think that it’s possible for one person to actually withstand the tension of the temptations and cynicism of “involvement” in one hand, against remaining committed to social/environmental goals in the other.
And every time I watch an episode of the River Cottage, or every time I’m lucky enough to spend some time at my wife’s family’s property in the Lower Hunter, I feel the familiar pull to build myself a hut on Walden and withdraw from the whole filthy game.
PS – don’t mean to offend those of you who are involved in politics. Or who have chosen to withdraw (though I don’t think I know anyone who has truly decided to do so). I’m just repeating the central idea of the film and, more importantly, having a general discussion about the most important topic in the world – ie, ME. Fuck yeah.
